Johnny Flynn and Laura Marling - The Water

Devil Do - Holly Golightly

A unique theatre performance explores what touch means in an age of lockdown

From an end to handshakes between acquaintances, to dates meeting via Zoom, to grandparents unable to hold their grandchildren, COVID-19 transformed how we touch. In response to this dramatic shift in human experience, in June 2021, the London-based theatre company Dante or Die created Skin Hunger – an interactive work intended to explore touch and its vital role in our lives. Staged at a chapel in the West End in London, the show featured three actors sharing stories with touch at their centre. With the performers surrounded by cascading walls of touch-safe plastic, each of these encounters invited moments of touch between actor and audience. Skin Hunger is documented in this short film from the UK filmmaker Pinny Grylls, which features three audience members – a dementia care worker, a professor of neuroscience specialising in touch, and a former prisoner – attending the show. As they move from piece to piece, each brings their own unique perspective on touch to the performance.

You can watch a full archive recording of the live production of Skin Hunger here. An audio-described version of this film is available on YouTube.

 

Film by Dante or Die

Created by: Daphna Attias, Terry O’Donovan

Director: Pinny Grylls

Producer: Sophie Ignatieff

Co-producer: Anna Snowball

11 November 2021

 

A unique theatre performance explores what touch means in an age of lockdown | Aeon Videos

 

 

Fear Is The Cheapest Room In The House (by Hafiz)

 

Fear is the cheapest room in the house

I would like to see you living

In better conditions,

for your mother and my mother

Were friends.

 

I know the Innkeeper

In this part of the universe.

Get some rest tonight,

Come to my verse tomorrow.

We’ll go speak to the Friend together.

 

I should not make any promises right now,

But I know if you

Pray

Somewhere in this world-

Something good will happen. God wants to see

More love and playfulness in your eyes

For that is your greatest witness to Him.

 

Your soul and my soul

Once sat together in the Beloved’s womb

Playing footsie.

Your heart and my heart

are very, very old

Friends.

 

 

 

Healing (by D.H. Lawrence)

I am not a mechanism, an assembly of various sections.
And it is not because the mechanism is working wrongly, that I am ill.
I am ill because of wounds to the soul, to the deep emotional self
and the wounds to the soul take a long, long time, only time can help
and patience, and a certain difficult repentance
long, difficult repentance, realization of life’s mistake, and the freeing oneself
from the endless repetition of the mistake
which mankind at large has chosen to sanctify.