Thursday, March 31, 2022

Your Mountain is Waiting (by Hannah Jacobs and Harriet Gillian)

 

Martha’s adventures through the washing machine looking-glass

On first watch and without context, Your Mountain Is Waiting may seem like simply a showcase for some very talented filmmakers. In its slightly uncanny animated world, a young woman named Martha is struggling in ways that seem both mundane (her plants are dying; she seems alone even when around others) and surreal (bugs and other critters keep making ominous cameos in her urban life). The dreary mood is drawn out by a muted, blue-dominated colour palette and dissonant score. Her difficulties are disrupted when a fox, trailing her throughout, guides her to a launderette. There, she tumbles through a washing machine and into a hallucinatory world overflowing with saturated hues and dreamlike landscapes. Eventually tumbling out and back into reality, the blues surrounding her have given way to a spectrum of colour. Back in her apartment, her plants are bright and sway with life. This has all the hallmarks of a familiar transformation narrative, echoing Alice’s fall down the rabbit hole or Dorothy’s trip into Oz. Yet, without any dialogue, its meaning might feel hazy, giving the film a first-glance appearance of a lush visual journey for its own sake. An excellent ride, but perhaps with no clear destination.

Yet another rich layer is added once you know what inspired the director Hannah Jacobs and the writer Harriet Gillian. ‘This film is about trusting your gut and following your instincts,’ says Jacobs. And, as Gillian puts it, ‘one of the messages of the film is to get outdoors in order to reconnect with your intuition.’ Through this frame, the blue-tinted urban malaise of Martha’s everyday life, compared with the vividness of the outdoor world, comes into clearer focus. Movements and scene-changes, stiff and rigid before her transformation, are free-flowing once she falls through the laundry machine looking-glass, conveying an embrace of what’s on the horizon. The fox, embodying intuition, is adrift and often hidden to Martha before becoming her constant companion during her escape. Read as a metaphor, each small detail seems to find new meaning.

The experience of intuition is a funny thing – enigmatic by its very nature. When it’s within your grasp, it can feel like a clear, confident internal voice. But to scrutinise it can be to quiet it and, once subdued, it can be drowned out by the static of second-guesses, anxieties and uncertainties, disintegrating even further with any mental attempt to recover it. Yet Jacobs and Gillian, perhaps informed by their own experiences, seem to suggest a means of reclaiming trust in your gut via escaping routine, tackling an adventure and, through this, regaining perspective and confidence. In doing so, Your Mountain Is Waiting offers a gentle nudge towards embracing the what’s to come – all while offering up some exquisite moving images.

Written by Adam D’Arpino

Director: Hannah Jacobs

Writer: Harriet Gillian

Producer: Zoe Muslim

Website: Strange Beast

23 FEBRUARY 2022

Your mountain is waiting | Psyche Films


 

A musician and a storyteller collaborate in a daily duet of words and music (an Aeon video)

‘There was once a man, so old that most of his family and all his friends had left this world before him…’

In 2013, the Scottish author and poet James Robertson wrote a story every day for a year, each one 365 words long. These stories – drawing on everything from ancient myth and Scottish folklore to personal dreams and memories – were published a year later in the anthology 365 Stories. Inspired by this endeavour, the Scottish musician Aidan O’Rourke wrote 365 melodies, each of them corresponding to a different work from Robertson’s collection. In this video, Robertson, O’Rourke and the English jazz pianist Kit Downes combine their crafts in an intimate and unique performance. As Robertson reads from his short story ‘Imagination’ about an elderly man lost in memories of war, O’Rourke and Downes accompany him with a wistful score of string and harmonium inspired by the work. Through this cross-form collaboration emerges a stirring reflection on ageing, memory and trauma that illustrates the many ways art can evoke emotion.

Kit Downes will be appearing at the UK launch of the Sophia Club – the new international series of cultural events from Aeon Media – on Tuesday 26 April in London. To book tickets for this event, click here.

Director: James Ewen

Website: Folk Radio UK

29 March 2022

A musician and a storyteller collaborate in a daily duet of words and music | Aeon Videos


 

 

Wednesday, March 30, 2022

My Enemy, My Brother (by Ann Shin)

How two enemy soldiers saved each other’s lives decades – and continents – apart

The Iran-Iraq War was a brutal conflict, raging for nearly nine years between 1980 and 1988, and killing hundreds of thousands – including child soldiers. The Canadian director Ann Shin finds fragments of hope in the war’s ashes, tracing the remarkable and deeply moving true story of two soldiers who fought on opposing sides and forged a powerful, decades-long bond through mercy, compassion and sheer coincidence. My Enemy, My Brother was one of the most critically acclaimed short documentaries of 2015, screening at the Tribeca Film Festival, the Hot Docs Festival and Sheffield Doc/Fest, among others.

Director: Ann Shin

Website: My Enemy, My Brother

2 August 2016

How two enemy soldiers saved each other’s lives decades – and continents – apart | Aeon Videos

 

Sunday, March 27, 2022

 

"There is a story from the Desert Fathers where an Abba says to a seeker, 'Do not give your heart to that which does not satisfy your heart.' This can be easier said than done since we are inclined to so many comforts that only serve to numb and distract us from life."

How often do you try to satisfy yourself with that which depletes you?

 

--- Christine Valters Paintner, PhD, The Wisdom of the Body: A Contemplative Journey to Wholeness for Women

 

Monk Manifesto (by Abbey of the Arts)

 

Monk: from the Greek monachos meaning single or solitary, a monk in the world does not live apart but immersed in the everyday with a single-hearted and undivided presence, always striving for greater wholeness and integrity

Manifesto: from the Latin for clear, means a public declaration of principles and intentions.

Monk Manifesto: A public expression of your commitment to live a compassionate, contemplative, and creative life.

  1. I commit to finding moments each day for silence and solitude, to make space for another voice to be heard, and to resist a culture of noise and constant stimulation.
  2. I commit to radical acts of hospitality by welcoming the stranger both without and within. I recognize that when I make space inside my heart for the unclaimed parts of myself, I cultivate compassion and the ability to accept those places in others.
  3. I commit to cultivating community by finding kindred spirits along the path, soul friends with whom I can share my deepest longings, and mentors who can offer guidance and wisdom for the journey.
  4. I commit to cultivating awareness of my kinship with creation and a healthy asceticism by discerning my use of energy and things, letting go of what does not help nature to flourish.
  5. I commit to bringing myself fully present to the work I do, whether paid or unpaid, holding a heart of gratitude for the ability to express my gifts in the world in meaningful ways.
  6. I commit to rhythms of rest and renewal through the regular practice of Sabbath and resist a culture of busyness that measures my worth by what I do.
  7. I commit to a lifetime of ongoing conversion and transformation, recognizing that I am always on a journey with both gifts and limitations.
  8. I commit to being a dancing monk, cultivating creative joy and letting my body and “heart overflow with the inexpressible delights of love.”*

*quote is from the Prologue of the Rule of Benedict

Monk Manifesto | Abbey of the Arts

 

Thursday, March 24, 2022

Have we reached peak trans? (By Andrew Doyle)

The troubling impact of gender policies can no longer be ignored

Is it really too much to ask those who struggle to define the word “woman” to refrain from running for public office? Ketanji Brown Jackson, Joe’s Biden’s nominee for the Supreme Court, was asked to provide the dreaded definition during her confirmation hearing on Tuesday. “No I can’t,” she replied. “I’m not a biologist.”

Jackson hadn’t been asked to explain how blood is deoxygenated, or to offer an intricate overview of the molecular mechanisms by which protein function is regulated in cells. The question “what is a woman?” is hardly the riddle of the sphinx; a reasonably intelligent six-year-old would be able to give an adequate answer.

Increasingly, the question has become seen as a “gotcha”, but it is a useful gauge of the extent to which figures in authority have been ideologically captured. How can we possibly trust politicians if they cannot acknowledge the most basic realities of human biology? While most voters have a limited understanding of various key political issues, we can all see that a failure to define “woman” is either delusional or dishonest, neither of which are qualities we seek in our elected representatives.

For a long time, most people have been unwilling to express what they know to be true for fear of being monstered as a “transphobe” or, even more absurdly, as a “fascist”. But we appear to have reached a turning point. Today, the term “peaked” is used to describe the moment when an individual realises that he or she has been blindly following the dogma of trans activism at the expense of the truth. To reach this point is an inevitability for the intellectually curious, given that gender identity ideology will always dissolve upon scrutiny.

This has been most aptly demonstrated in the recent tribunal of Maya Forstater, a tax expert who is taking legal action against the Center for Global Development (CGD) for wrongful dismissal. Her erstwhile employer’s case rests on the view that Forstater’s belief that sex is immutable is a sackable offence, and it has been fascinating to read the live tweets of the tribunal in which Ben Cooper QC, counsel for Forstater, has been able to interrogate representatives of the CGD. The typical strategies of gender ideologues — to cry “hate” or “transphobia”, or to proclaim that there must be “no debate” — simply cannot be deployed in the context of a tribunal. As a result, perhaps for the first time, we are seeing what happens when the high priests are forced to defend their creed.

So when Luke Easley, the CGD’s Vice President of HR and Operations, claims that “identity is reality — without identity there’s just a corpse”, the religiosity of this movement is on full display. He is reiterating the view among gender ideologues that we each have a kind of soul that determines our identity, what trans activist Julia Serano has described as a “subconscious sex”. Forstater’s crime was to deny this essential doctrine, or to refuse to pay it the necessary lip-service. Like heretics throughout history, she was willing to exclaim that the emperor has no clothes.

Virtually all of us support equal rights for transgender individuals, and so it is understandable that we would sympathise with those whose happiness depends on presenting as the opposite sex. I am convinced that in most cases the intonation of the mantras “trans women are women” and “trans men are men” comes from a place of empathy.

The recent case of trans swimmer Lia Thomas, however, has prompted many to reconsider the uttering of falsehoods even for compassionate purposes. Thomas ranked 554th in the college league tables when competing among men, but soared to the top of the rankings in the women’s category. The biological advantages of being a man in a woman’s competition became obvious when a photograph was widely circulated of the winners in the 500-yard freestyle in Atlanta: Thomas towers over the other athletes on the podium.

Even those who are determined to hold fast to the view that “trans women are women” will find it difficult to look at the image of Thomas mounting the victor’s podium without sensing a collision with the brick wall of reality. As William Hazlitt put it: “Facts, concrete existences, are stubborn things, and are not so soon tampered with or turned about to any point we please, as mere names and abstractions.”

Yet this hasn’t prevented certain media outlets from disregarding the significance of biological sex, even when reporting on male violence. Only last week, an article appeared on the BBC website that outlined the vicious crimes of an 83-year-old woman in New York who had dismembered another elderly woman she had met online, having already spent 50 years in prison for murdering two female friends. Those new to the story would be forgiven for feeling that something is amiss in the reporting. After all, there are very few female serial killers, and even fewer who target other women. It is only towards the end of the article that the writer acknowledges that the killer had “recently identified as a woman”. This detail is presented as an aside, as though it is an inconsequential aspect of the case.

But perhaps the revelation most likely to “peak” members of the public came last week when Baroness Nicholson of Winterbourne spoke in the House of Lords about a woman who had allegedly been raped on a hospital ward. Apparently, when police contacted the hospital they were told that there were no men on the single-sex ward, and “therefore the rape could not have happened”. The attentive reader will have already filled in the gaps.

This kind of gaslighting is part of a policy known as “Annex B”. The NHS accommodates patients by gender identity, not biological sex, and if a female patient complains that there is a man on her ward, she is to be told that this is not true; there are no men present. As the official NHS guidelines make clear: “Views of family members may not accord with the trans person’s wishes, in which case, the trans person’s view takes priority”.

In the same NHS document, it is asserted that sex is “assigned” at birth. Everyone knows that sex is observed and recorded, often before birth, and so it is surprising to see the holy writ of this new religion find its way into an official report. For medical practitioners it is particularly important that there are records of our sex, which is why we each have a unique NHS number to store this information. Yet patients are currently able to change this number on request so that it reflects personal identity rather than biological reality.

Even more worryingly, a 2010 document from the NHS Information Standards Board entitled “Mixed-Sex Accommodation Specification” explicitly states that the public must be misled on these matters in order to avoid general confusion: “The policy commitment relates to gender, not sex, but to ensure a better public understanding it is referred to as Mixed-Sex Accommodation (MSA)”. In other words, although the then Health Secretary Andrew Lansley had announced that NHS wards must be segregated by sex, behind the scenes it was understood that gender was to be the determining factor. It seems that the plebeians cannot be trusted with the truth.

Today, the public are seeing for themselves the impact of gender policies in the real world: male athletes are competing in women’s sports, the media is reporting on male serial killers but using female pronouns, and a rape victim is told that the assault she experienced must have been a figment of her imagination. Incidents of this kind, now occurring too often to be dismissed as aberrations, have led us into what Jürgen Habermas described as a “legitimation crisis”, a general loss of confidence in institutional authority.

This is why it is crucial that we find a way to restore the primacy of truth in our public discourse. It isn’t a “gotcha” to ask a politician to define terms such as “man” and “woman” — it is a means by which we can assess the honesty of the ruling class. Their white lies might be compassionate in nature, but they clearly have damaging effects and the public is losing its patience. For all the false accusations of “hate”, “bigotry” and “transphobia” that stifle open conversation about these important issues, the tipping point is undoubtedly near.

Have we reached peak trans? - UnHerd


 

 

Jordan Peterson - Comfort Will Kill Your Soul



Tuesday, March 22, 2022

The fictional world of trans activism (by Kathleen Stock)

 

There's nothing harmless about denying the truth

When people say things like “transwomen are women”, “transmen are men”, and “nonbinary people are neither women nor men”, what do they mean? In my book Material Girls, I suggested that many of them are immersed in a fiction.

Getting immersed in fiction is a familiar state for most of us. Nearly all of us do it, and some of us do it several times a day. When you dip into a novel, binge on a box set, or even just daydream furiously about succeeding romantically or seeing your enemies fail, you’re doing it.

When immersed in a fiction, your direct aim isn’t to recognise and respond to the world as it actually is. To borrow a phrase from philosophy, your thoughts and behaviour aren’t directly “truth-tracking”. That’s usually ok, because fictions are supposed to be harmless bits of fun, or interesting encounters with possible-but-not-actual scenarios. But what they are not supposed to be are accurate reports of reality as you personally find it now. When immersed, it’s as if many of your thoughts are flying parallel to earth without touching it.

As a trans person, there are different possible motives for immersing yourself in fictions of changing or escaping your sex, such as strong feelings of dysphoria. If you’re highly uncomfortable about the sexed aspects of your body — say, because they fail to fit prevalent bodily norms, or you think they do — you might experience relief to act as if you are of the opposite sex, or of no-sex.

It’s reasonable to analyse the worryingly high rise of girls and young women in this position in the context of the invention of the smartphone, the related spread of social media and pornography, and the over-sexualisation and objectification of young women in our culture generally. A less well-known motive for immersion, specific to some but not all within the male trans demographic and also likely to be influenced by pornography, is the presence of a fetish known as autogynephilia (or “AGP”).

In plain language: AGP is a sexual turn-on for some males to enter into the fiction of being a woman. There’s a huge effort made by trans activists to deny this. And it seems particularly hard for people without much experience of the adult world of sexuality — idealistic young people, say, or university lecturers — to believe it. But numerous sources attest to it, and it’s important we recognise it clearly when it comes to discussing incursions into women’s rights.

See, for instance, this Vice article from 2016, published before progressive media started to pretend autogynephilia could never happen, that frankly describes a club night where men cross-dress as women for sexual pleasure, sometimes also role-playing that they are being “forced” into “feminisation” by a dominatrix. Residual doubters should also read Deirdre McCloskey’s transition memoir Crossing, where the sexual element is cheerfully admitted. Or just look closely at this picture of a transwoman addressing the New York State Democratic Party.

When it comes to people who aren’t trans, the typical motivations for immersion in trans activism’s foundational fictions seem of four main sorts. First, there’s a desire to be kind to trans people, without a lot of further thought about what that might look like. Second, there’s those who want to seem kind because of the social capital it brings these days. Third, there’s a desire to avoid ostracisation, since you know you will be socially punished if you don’t. And fourth, there’s a desire to undo human sexed categories with the power of words, because you heard from some whackjob academic that this was a coherent and politically desirable thing to aim for.

Now many of the fictions in which we immerse ourselves are harmless. But that isn’t the case with trans fictions, when disseminated at industrial scale and coercively maintained by the progressive establishment. At the other end of this particular story arc are unhappily infertile young adults; women prisoners made to share facilities with male rapists; sportswomen crowded out of competition by men they can’t hope to beat; young lesbians guilted into dating males; wives being coerced into participation in the cross-dressing fantasies of their husbands; and trans people with wholly inadequate healthcare relative to their well-being.

Horrific as those plot twists are, though, I want to take a more oblique look at the story leading up to them. For it seems to me that trans activism provides a fascinating case study of what can happen when a political movement abandons truth as a direct aim and pursues fiction instead. Maybe all movements pursue fiction some of the time, but few have truth-denial so firmly built into their foundational axioms. So here are four instructive features.

1) Providing a convincing back story 

What does a fiction need in order to seem vivid and realistic — to grip your attention and draw you in emotionally? Partly, it needs background detail that looks compelling to the average reader, and is distracting enough that she doesn’t question any plot holes. And what more convincing-looking detail could you find than that supplied by people whose day job it is to be clever and to know things? On this basis, parts of academia have been enlisted, enthusiastically, to furnish surrounding details for the foundational fictions of the trans industry.

A just-published article by philosopher Dan Williams describes a related phenomenon. In today’s world, he argues, “pundits and opinion-producers” provide apparently supportive arguments and other justifications for conclusions that people were already motivated to believe anyway — and they do so “in exchange for money and social rewards”. A marketplace for the rationalisations of desired beliefs has developed, he suggests.

 

In the domain of trans activism, I think that the rationalisations offered by academics tend to support immersion in fiction rather than full-blooded belief. After all, when deciding who to bully first, the trans activists still seem to know who the women and who the men are. But otherwise the process is similar to that described by Williams.

The game for some academics is to provide convincing-looking backgrounds for predetermined fictional conclusions such as “transwomen are women”, “transmen are men”, and “nonbinary people are neither women nor men”. Since the system currently rewards them for doing this, I think their unconscious motive is often career advancement and social recognition from peers, though it’s inevitably dressed up as something moral.

In the area I’m most familiar with, academic Philosophy, a dedicated band of thinkers seeks to provide complex and technical post-hoc rationalisations for mantras first expressed by adolescents on Tumblr in 2011. The fact that truth in its traditional sense is not their object of inquiry could not be made plainer. See, for instance, philosopher Katharine Jenkins, who starts her 2016 article on the nature of womanhood, published in prestigious philosophy journal Ethics, by declaring: “The proposition that trans gender identities are entirely valid — that trans women are women and trans men are men — is a foundational premise of my argument, which I will not discuss further.” (It’s telling that “valid” is used here in the Tumblr sense of identities being validated like passports or parking tickets, and not in the sense of logical validity more traditional for academic philosophy). The conclusion of Jenkins’s paper, not enormously surprisingly under the circumstances, is that we should use the term “woman” to refer to all and only people who have a female gender identity, whether they are actually female or male.

Another example of this peculiar genre is a 2020 article by Elizabeth Barnes, who like Jenkins, makes explicit that her reasoning has been constrained in advance by a desire to fit with the conclusion that anyone who wants to be classified as a woman should be counted as a woman, and anyone who doesn’t want to be classified as a woman should not be. Barnes then advances a hilariously tortured rationalisation for claims like “transwomen are women”, arguing that there aren’t any “deep, language-independent facts about which people are women, which people are genderqueer, etc”.

She justifies this partly by making an extremely involved analogy with metaphysical discussions of tables. In a nutshell: she argues that in metaphysical terms, there aren’t any tables, strictly speaking, though perhaps there are “simples arranged table-wise”. Nonetheless we can still utter the true sentence “there are tables”. Similarly, though for somewhat different reasons, the metaphysical facts about womanhood and other “gendered” groups come apart from the truth conditions of sentences involving … oh I give up, I don’t have to pretend to take this stuff seriously anymore. (I confess, though, that I remain disappointed Barnes didn’t try to argue that women are “simples arranged woman-wise”.)

In the social sciences, meanwhile, things don’t seem much better. Here the aim of research often seems to be to rationalise certain background beliefs. These beliefs are designed to make immersion in the original fictions appear beneficial or at least cost-free; or else to make refusal look costly in moral and social terms. For instance: “there is an extremely low prevalence of regret in transgender patients after surgery” (i.e. medically-assisted immersion is harmless); “administering cross-sex hormones to gender dysphoric adolescence lowers suicidal ideation” (i.e. medically-assisted immersion is beneficial); “questioning the ‘ontological reality’ of transgender identities leads to transphobic harassment” (i.e. as a non-trans person, refusing to immerse yourself in the fictions of trans people causes trans people to be harassed); “non-suicidal self-injury is common in trans youth and emphasises the need for interventions that reduce transphobia” (i.e. as a non-trans person, refusing to immerse yourself in the fictions of trans people causes trans youth to self-harm); and so on.

The main point of such articles seems to be to operate as a giant guilt-trip for the reader. As with the philosophers earlier, the ultimate aim here isn’t a relatively neutral pursuit of truth but rather a simulacrum of academic discourse which will bring the reader to accept certain predetermined conclusions. This is suggested, partly by the fact that many of the people who produce these sorts of articles seem to have vested interests, economic or personal, for keeping the whole fiction on the road; but also partly because what they produce is so often full of sloppy mistakes, and failures to observe even basic methodological norms. Others are more qualified to illustrate these flaws but, with respect to the research articles I linked to just now, this piecethis onethis onethis one, and this one seem revealing.

A charitable explanation of this unusual level of incompetence is that the goal was never truth in the first place. If motivating others to become immersed in fictions is your aim, then the actual use of reliable truth-tracking methodologies is bound to be less important than the superficially convincing appearance of their use.

2) Exploring a parallel universe

A compelling fiction can give us a snapshot of what life might be like if our starting point was different to the world we know: what else might be true, say, if British people lived under a totalitarian dictatorship with powers of mass surveillance (1984); or if there was a species of otherwise human-like beings that had no fixed sex (The Left Hand of Darkness); or if Germany and Japan had won WWII (The Man in the High Castle), and so on. Filling in the fictional consequences of an initial made-up scenario is another way that authors make certain stories vivid and interesting.

Kids immersed in make-believe stories do something more basic but still similar, using toys and other household props they have around them. So for instance, a kid’s make-believe game might go: if this doll is a “explorer”, and this chair is an “elephant”, then, if I put the doll on top of the chair, “an explorer is riding an elephant”.

So too does trans activism, with the help of the media and the academy, work to fill in the consequences of the original fiction that transwomen are “women”. Partly this is a matter of working out what would follow logically, given the way the concepts “woman” and “man” usually work. For instance, if transwomen are “women”, then transwomen are a sub-set of women generally, so we also need a special word for the sub-set of women that aren’t trans: “cis women”. If transwomen are “women”, then, since women before the age of sexual maturity are “girls”, transwomen before the age of sexual maturity are “girls” too. Since women who have children are “mothers”, transwomen with children are also “mothers”. Since women exclusively sexually attracted to other women are “lesbians”, transwomen exclusively sexually attracted to other women are “lesbians” as well (and so on and so on).

And then there’s the practice of extending the entitlements and resources of women to transwomen, because transwomen are “women”, so they are imagined to share precisely those entitlements and need exactly those resources too. As we now know to women’s cost, being immersed in the fiction that transwomen are “women” has led to the dismantling of single-sex services and resources built painstakingly over years, largely in the pursuit of aesthetic verisimilitude for males.

 

Meanwhile, if transwomen are “women”, and certain events and experiences characteristically happen to women, then the logic of the fiction dictates that transwomen must undergo these too. So for instance, transwomen are supposed to suffer from “misogyny”, because women suffer from misogyny (a fiction given further oomph by the fact that experiencing misogyny or even sexual violence is a common sexual fantasy of autogynephilic males). Transwomen have period symptomsmenopause symptoms, and so on.

This working out of fictional consequences goes on at the particular as well as the general level. Martine Rothblatt is a transwoman, and transwomen are female; Martine Rothblatt is paid more than any woman CEO in America; so this makes Rothblatt the “the highest paid female executive in America” according to New York magazine. Lia Thomas is a transwoman, and transwomen are women; Lia Thomas is a faster swimmer than any woman at the University of Pennsylvania; this means Lia Thomas has broken “women’s records” for swimming. Novelist Torrey Peters is a transwoman, and transwomen are women: this means Peters’ novel Detransition Baby is eligible for longlisting in the Women’s Prize for Fiction 2022.

In this story-world, women’s achievements are gradually reduced, to be replaced with altogether grimmer kinds of headline involving “women” engaged in characteristically male crimes such as paedophilia, violent assault, and indecent exposure. Last week, the Scottish Daily Record reported that Shay Sims, “a female” in court who had “pleaded guilty to three charges of assault by beating, criminal damage and outraging public decency”, had “raised her dress up and lowered her pants to reveal a penis and continued to walk 40 feet with the penis exposed”. And last Wednesday, the New York Times reported that an “83-year-old woman”, already guilty of killing two other women, had been discovered carrying the torso of a dismembered woman out of an apartment building.

What, meanwhile, of the consequences of the original fictions that transmen are “men”? In the contrasting case of the fiction that transmen are “men”, given the centrality of the concept “man” to so many discourses, in theory there should be ample material for campaigners to get stuck into. To some extent they have: for instance, in the ongoing campaign in the UK to have a transman registered as a legal “father” on a birth certificate. But curiously, in most other areas men’s spaces, resources, entitlements, and achievements are being left untouched.

3) Retconning the past

Some story-makers engage in “retconning” — making new stories continuous with old ones by changing elements of the old one retrospectively. Famously — at least, for people my age and older — in the soap opera Dallas, the character Bobby, previously killed off, was brought back a whole series later, alive, with the explanation that it had all been a dream while he was in the shower.

In trans activism, a form of retconning takes place all the time, as a further means of producing convincing back stories for current fictions. So much of the trans activist story-world depends on trans people having been a permanent feature of human life throughout history, no matter what the surrounding cultural or historical context. And so we find the retrospective fictional transing of notable sex-non-conforming figures from history: for instance, Marsha P. JohnsonEwan Forbes; James BarryJoan of ArcQueen HatshepsutKurt Cobain. We also get the creative reinterpretation of other cultural traditions, with the Hijra, Fa’afafine, FakaleitÄ«, and Kathoey people all anomalously represented under the essentially Western, relatively modern concept of “trans”.

And then, of course, we also get the fiction of the “trans” child — the most audacious retcon of them all. Transwomen who are “women” must once have been “girls”, and transmen who are “men” must once have been “boys” — which, by extrapolation, means that there must be “girls” in the population of male children, and “boys” in the population of female children, right now. “Trans” children (so often female, but never mind about that) “know who they are”, and should have the “freedom to be themselves”, we are told. Yet this “freedom” may well involve a child’s taking drugs that will make her infertile; or give her premature osteoporosis; or bring about the surgical removal of her breasts, ovaries, and womb before she’s had any chance to reflect on the implications.

Thousands of children and teens worldwide have been encouraged by adults to thoroughly immerse themselves in this fiction – indeed, to start believing in it, full stop — instead of treating it as one make-believe game among many, as part of a healthy development. Children’s bodies are being used as props in adult dramas they have no way of properly understanding until it’s too late for them.

4) Remembering to turn off your phone

When you go to the cinema, you’re sometimes reminded to switch off your phone. Annoying ringtones can grab the attention of someone immersed in a fiction and return them unpleasantly to consciousness of the real world.

Reminders of reality are also lurking out there, ready to distract those currently immersed in trans activist fictions. There’s the annoying fact that biological sex in humans is immutable. Remembering this can be a real buzzkill when you’re trying to persuade yourself that Lia Thomas is just an ordinary woman unusually good at swimming. This, I think, is why trans activists systematically object to statements that biological sex in humans can’t be transcended.

In a recent case, several student editors of the academic journal Law and Contemporary Problems publicly resigned when they found out their journal would be publishing an article of mine entitled: “The Importance of Referring to Human Sex in Language”. (Please do read it to annoy them.) There are several precedents for this, of course — most obviously, the anomalously severe treatment of Lisa Littman’s paper on rapid onset gender dysphoria a few years back.

A fear of breaking the fourth wall is also, I think, what makes trans activists panic so much about J.K. Rowling’s forthright interventions on the harms of modern trans activism to women and girls. Rowling has the courage to describe the reality of male behaviours that harm women and girls, regardless of the identities of either. Perhaps precisely because she understands so well the difference between fiction and reality, the creator of “He-Who-Must-Not-Be-Named” is both willing and able to name things that others dare not. She also has the communicative power and cultural clout to get her message out to millions. To those emotionally or indeed financially invested in trans fictions, and who desire others to remain immersed too, this must be terrifying.

And then there’s the Detrans Subreddit. It has 27K members, mostly young, and many of whom talk frankly about the harms to their bodies and minds caused by premature transition. Some of those who post on this subreddit are desperate for help, and their testimonies are truly shocking. You might well wonder: why don’t those in the progressive media report on the phenomenon more unambiguously? For this is a medical scandal unfolding in plain sight.

The answer is that the existence of detransitioners reminds people that psychological identifications can be temporary, especially in adolescence, and that there’s no inevitability about transitioning on the basis of feelings of dysphoria. The idea that someone is “born trans” or has no choice but to transition, given “who they really are inside”, is a myth. Detransitioners establish this. Now, not all trans people are committed to ignoring this fact — far from it. But many do seem to be, as do large numbers of self-styled trans allies. And collectively they seem motivated to exert pressure on others to ignore it too, no matter what the public cost.

Even more painfully, perhaps, the phenomenon of detransitioners reminds parents of transitioned children that they might well be making a terrible mistake in allowing their child to be medicated — a mistake that may later cause grave and irrevocable problems for their child’s well-being. I hear that some of the prominent figures publicly engaged in trying to shut down balanced discussion about the welfare of trans children in the UK are privately in this position, and often wonder how it can be that such vested interests go undeclared.

These people remind me of Christof, the Creator-character in The Truman Show — desperate to stop their child from reaching the artificial horizon of the little world that has, unbeknown, been shaped just for them.

This is adapted from a post originally published on Kathleen Stock’s Substack.

The fictional world of trans activism - UnHerd

 

 

Wednesday, March 16, 2022

I dwell in Possibility (by Emily Dickinson)

 

I dwell in Possibility –

A fairer House than Prose –

More numerous of Windows –

Superior – for Doors –

 

Of Chambers as the Cedars –

Impregnable of eye –

And for an everlasting Roof

The Gambrels of the Sky –

 

Of Visitors – the fairest –

For Occupation – This –

The spreading wide my narrow Hands

To gather Paradise –

 

 

Sunday, March 13, 2022

On License [13/03/22]

 

This anniversary of mine isn’t a joyous one

 

Practicing resilience I’ve had a few victories though

Sometimes I feel tired and long to rest, just rest

 

Milestones carry no meaning

No-one is ever cured of cancer

No matter the passing of time

One is always on license

 

What could be more life-affirming than this ongoing

Meditation on death and impermanence?

 

Perhaps there is cause to rejoice after all